The Synchrony of Subjectivity – Piano Practice in Homes

Type: Poster – Article nº 1307

Authors: Cinthia Ruivo, Sandra Lucia Simonato Bora

Presenter: Sandra Lucia Simonato Bora

Institution: Universidade Federal do Paraná (UFPR), Duettom Escola de Música

Abstract

Subjective synchrony is the essence of a cohesive musical performance. In the context of piano ensemble performance, Brown (2012) describes it as the ability to interweave the subjectivity of each musician into a single artistic expression. This is not a mechanical process, but a profound musical dialogue that requires attentive listening, emotional sensitivity, and mutual respect. When performers connect at this level, their individualities merge, creating a musical experience that is greater than the sum of its parts.

Music ceases to be the mere execution of notes and becomes a vibrant exchange of intentions and emotions (Sousa, 2014). This type of connection forms the foundation of Hausmusik concerts. The intimate and informal environment, far removed from large concert halls, becomes the ideal stage for this sensitive exchange. The barrier between audience and performer dissolves, and shared subjectivity is valued and celebrated. The piano plays a fundamental role in this dialogue, acting as an element that sustains, complements, and enriches the musical conversation.

Chamber music is, in its essence, an act of communication. With every breath, musicians communicate without words, forming a unity that transforms the group into “one body.” This project rescues and adapts this tradition to contemporary reality. In an increasingly fragmented and digital world, chamber music reminds us of the importance of human connection, sensitivity, and the beauty of togetherness.

Thus, “Subjective Synchrony” goes beyond individuality in order to achieve musical communion, respecting the uniqueness of each performer while seeking unification. Within Hausmusik, this philosophy manifests itself in a pure form, transforming each event into an unforgettable human and artistic experience, where the sound of the piano not only resonates in the air, but also in the hearts of all participants.

References

Brown, J. E. (2012). Examining Creativity in Collaborative Music Performance. CQUniversity, Australia.

Godoy, R. I., & Leman, M. (Eds.). (2010). Musical Gestures: Sound, Movement, and Meaning. Routledge.

Sousa, L. M. L. (2014). Interações entre o pianista colaborador e o cantor clássico (Master’s dissertation). Universidade de Brasília (UnB).